ADRIANA AKAI – Camera and video image production for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). /  ALESSANDRA HARO – Photography of Walk East – Erotic Poems by Norma Kluster, as part of Mostra de Repertório Couve-Flor at Cleon Jacques Theater (Curitiba, 2011); Photography of Unbeer Sonata – Study N. 2, at Guairacá Cultural, as part of 20MIN.MOV (Curitiba, 2017). /  ALFREDO GOMES FILHO – Studies for the script of Indra-Koan (2001); Prop design (co-created by Inecê Gomes and Magrão) for Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / ALTAIR DA CRUZ – Set Technician for Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / AMABILIS DE JESUS – Costume Design and Prop Design for Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / ANDERSON MASCHIO DE FREITAS – Web Design for the documentary Community, Activism and the Downtown Scene (2006); Video Credits for Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / ANDRÉ BALIU – Sculptor in Polifônica Sincrética (ou Ode a Perséfone), with presentations at Espaço Dois and as part of I Mostra da FAP at Memorial de Curitiba (Curitiba, 2001); UNICENTRO (Campus Irati, 2001), and UNICENTRO (Campus Guarapuava, 2001). / ANDRÉ KRUGER – Actor in The Last Supper (1999), presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000); Actor for Polifônica Sincrética (ou Ode a Perséfone), at UNICENTRO, (Campus Guarapuava, 2001); Actor (extra) in Buraco Negro (Pick-up) by Gerardjan Rijnders, presented at Teatro Londrina, and commissioned by Ciclo de Leituras Dramáticas – Fundação Cultural de Curitiba (Curitiba, 2001); Actor in Trailer-Play de Indra-Koan – 1º Laboratório Aberto ao Público (Casa Vermelha, 2001). / ANDRÉ VASQUEZ – Drums player in Walk East – Erotic Poems by Norma Kluster, as part of Mostra de Repertório Couve-Flor at Cleon Jacques Theater (Curitiba, 2011). / ANDREA OBRECHT – Actor in Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / ANDRESSA FERRARI – Set Design for The Last Supper (1999), presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000); Set Design for Polifônica Sincrética (ou Ode a Perséfone); Studies for the Set Design of Indra-Koan (2001); Monitor and Set Technician for Red A Hundred 40/ Vermelho 140 (Casa Hoffmann, 2003 and 13th Panorama RioArte de Dança, Teatro Carlos Gomes, Rio de Janeiro, 2004. Work commissioned by Fundação Cultural de Curitiba / Projeto Bolsistas Casa Hoffmann – Centro de Estudos do Movimento. Curitiba, 2003); Set Consultancy for Claustrophobia (performance-study), during Ocupação Performance-Rave (Casa Hoffmann, 2004). / ANDREW KNOLL – Poetry reading of 34 as part of the event Curitiba Urge/Curitiba Mostra during the Curitiba Theater Festival (Curitiba, 2017). / AYUMI NAKABA – Camera and video image production for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / BABATUNDE AJIBOYE – Original Costume Design in Accumulation – Influx 32, as part of the Movement Research at the Judson Church Series (New York, 2013). / BETO LEÃO – Editing and soundtrack mixing for Polifônica Sincrética (ou Ode a Perséfone), presented at Espaço Dois (Curitiba, 2001). / BIA DANTAS – Photography of the performance-installation Red A Hundred 40/ Vermelho 140 (Casa Hoffmann, 2003); Performer in the performance-installation Red A Hundred 40/ Vermelho 140 (work commissioned by Fundação Cultural de Curitiba / Projeto Bolsistas Casa Hoffmann – Centro de Estudos do Movimento. Curitiba, 2003); Photography of the performance-study Claustrophobia during Ocupação Performance-Rave (Casa Hoffmann, 2004); Video Editing in Sensuality in (and) America (2004) and in Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / BIBIANA (TERRA) ESTEVEZ – Actor in The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / BRANDI COPHER – Revision of my writing production in English (New York, 2007–2011). / BRUNA MICHELIN – Editing in On the Process – PHLOEM (Study on Hilst),  presented as part of Movement Research at the Judson Church (New York City, 2014). / CAMILA HEIMOSKI – Camera and video image production for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / CARLÃO BUSATO – Photography for The Last Supper (TUCA, PUC-PR, 2000); Photography for Polifônica Sincrética (ou Ode a Perséfone), at Espaço Dois (Curitiba, 2001). / CAROLINA FAUQUEMONT – Actor in The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000); Actor in A Cantora Careca (The Bald Soprano), by Eugene Ionesco, adapted by Antônio Abujamra, and presented as part of the semifinal stage of Prêmio Criação Teatral Volkswagen at Teatro Fernanda Montenegro (Curitiba, 2003); Costumes Research for the video dance-study Calcinatio – Experimento #1 (2006). /  CAUÊ KRIEGER – Production Intern for Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / CESAR AUGUSTO – Sculptor and Set Technician in Polifônica Sincrética (ou Ode a Perséfone), with presentations at Espaço Dois and as part of I Mostra da FAP at Memorial de Curitiba (Curitiba, 2001), and UNICENTRO (Campus Irati, 2001). / CLEIDE PIASECKI – Actor in Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / COUVE-FLOR – MINICOMUNIDADE ARTISTICA MUNDIAL – Co-curatorship of Ciclo de Acoes Performáticas (Performance Act Series) at Casa Hoffmann (Curitiba, 2003-2005); Consultancy, Feedback and Documentation for Displacement Pills – Este Regalo Es Tuyo (Curitiba, 2006); Consultancy, Feedback and Technical Operation (Video, Photography, Light and Sound) for Walk East – Erotic Poems by Norma Kluster/ Chapter I (ACT – Ateliê de Criação Teatral, Curitiba, 2007). / CRISTINA MORGENSTERN – Costume Design for Perséfone character, in Polifônica Sincrética (ou Ode a Perséfone), in 2001. / DANI LIMA  – Video Editing Technician for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / DANIEL TEODORO – Actor in The Last Supper, presented at Espaço Cênico (Curitiba, 1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000)./ DANIELA BOTELHO – Camera and video image production for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / DAVID BARKAN – Videography in The Wavelength Project (Washington, D.C., 2009). DÉBORA SEGANTINE – Actor in the monologue Polifônica Sincrética (ou Ode a Perséfone), with presentations at Espaço Dois and as part of I Mostra da FAP at Memorial de Curitiba (Curitiba, 2001); UNICENTRO (Campus Irati, 2001), and UNICENTRO (Campus Guarapuava, 2001); Actor in Trailer-Play de Indra-Koan – 1º Laboratório Aberto ao Público (Casa Vermelha, 2001); Promotion Photography for A Cantora Careca (The Bald Soprano), in 2003; Performer in Red A Hundred 40/ Vermelho 140 (Casa Hoffmann, 2003 and 13th  Panorama RioArte de Dança, Teatro Carlos Gomes, Rio de Janeiro, 2004. Work commissioned by Fundação Cultural de Curitiba / Projeto Bolsistas Casa Hoffmann – Centro de Estudos do Movimento. Curitiba, 2003).  / DENISE USHIKUBO – Camera and video image production for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / DICO FERREIRA – Actor in Buraco Negro (Pick-up) by Gerardjan Rijnders (work commissioned by Ciclo de Leituras Dramáticas – Fundação Cultural de Curitiba, 2001). /  EDWARD LAROCHELLE – Video documentation in Hunger Follies – Scratch #1, as part of the NewFilmmakers Series – Latino at Anthology Film Archives (New York City, 2010).  / ELENIZE DEZGENISKI – Photography for Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / ELIÉGE JACHINI – Photography for the videodance-sudy Calcinatio – Experimento #1 (Curitiba, 2006). /  ELÓI PHILIPPSEN – Actor in A Cantora Careca (The Bald Soprano), by Eugene Ionesco, adapted by Antônio Abujamra, and presented as part of the semifinal stage of Prêmio Criação Teatral Volkswagen at Teatro Fernanda Montenegro (Curitiba, 2003). / EVERARDO LOUREIRO –  Installation Assistance in the exhibition Immoderate Bodies – Couve-flor Videoperformances, as part of chashama Windows Program, at 461 Gallery (New York City, 2012–2013). / EVERSON MARCELO NEWMANN – Video Editing for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / EVERTON SEINO – Camera and video image production for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / FÁBIA REGINA – Light Design for Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005); Light Design for Walk East – Erotic Poems by Norma Kluster, as part of Mostra de Repertório Couve-Flor at Cleon Jacques Theater (Curitiba, 2011). / FABIANA BUBNIAK - Camera and video image production for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / FABIANNE BALVEDI – Video Direction (PUC-PR) for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000); Studies for Indra-Koan (2001). /  FÁBIO ANTUNES / FRAME 22 – Sound Technician in Unbeer Sonata – Study N. 2, at Guairacá Cultural, as part of 20MIN.MOV (Curitiba, 2017).  / FABIO ZANARDO – Actor in Trailer-Play de Indra-Koan - 1º Laboratório Aberto ao Público (Casa Vermelha, 2001). / FERNANDA MACHADO – Physical Trainer for The Last Supper (Curitiba, 1999). / FLAVIA BLEY (MAMELUCOS ORBITAIS) – Groove Box for "To Pulse", original soundtrack for The Last Supper (Curitiba, 1999).  / FLAVIO SENRA – Set Consultancy for the performance Walk East – Erotic Poems by Norma Kluster /Chapter I, presented as part of the program Page to Stage, at Dixon Place (New York City, 2007). / FLEMMING FYNSK – Photography and Cinematography in the performance Chicken Piece (Brooklyn, NYC, 2009); Cinematography in Accumulation – Influx 32, as part of the Movement Research at the Judson Church Series (New York, 2013). / GABRIEL VASQUEZ – Guitar player in Walk East – Erotic Poems by Norma Kluster, as part of Mostra de Repertório Couve-Flor at Cleon Jacques Theater (Curitiba, 2011). / GERCI ROCHA – Photography of the performance Walk East – Erotic Poems by Norma Kluster /Chapter I, presented as part of the program Page to Stage, at Dixon Place (New York City, 2007). / GIORGIA DE SANTI – Photography documentation courtesy in The Immaterial Biography of Dreams (Venice/Italy, 2017). / GISELE LOZADA – Camera and video image production for The Last Supper,   presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / GIULIA MATTERA – Translation into Italian of the performance score of The Immaterial Biography of Dreams (Venice/Italy, 2017). / GUSTAVO BITENCOURT – Co-curatorship of Ciclo em Trânsito (Performance Act Series In Transit, Casa Hoffmann, 2005); Press Contact for the premiere of the documentary Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006), in Curitiba; Press Contact for Walk East – Erotic Poems by Norma Kluster (Curitiba, 2007); Original Soundtrack for the video performance Closer, part of Walk East – Erotic Poems by Norma Kluster (2007). /  GUTA RUIZ – Actor and Production Manager in The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000); Actor in Buraco Negro (Pick-up) by Gerardjan Rijnders (work commissioned by Ciclo de Leituras Dramáticas – Fundação Cultural de Curitiba, 2001; Actor in Trailer-Play de Indra-Koan – 1º Laboratório Aberto ao Público (Casa Vermelha, 2001); Actor in A Cantora Careca (The Bald Soprano), by Eugene Ionesco, adapted by Antônio Abujamra, and presented as part of the semifinal stage of Prêmio Criação Teatral Volkswagen at Teatro Fernanda Montenegro (Curitiba, 2003). / HANY MORGENSTERN – Choreography Direction for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000); Physical Trainer for Polifônica Sincrética (ou Ode a Perséfone), in 2001. / HUGO MORGENSTERN – Set Technician for The Last Supper, at Espaço Cênico (Curitiba, 1999). / INECÊ GOMES – Props Co-creation (with Alfredo Gomes Filho and Magrão) for Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / IURI  ALENCAR – Technical Editing of the video Red a Hundred 40 / Vermelho 140 (Curitiba, 2003). / IVAN DEYOUNG-DOMINGUEZ – Cristiane Bouger’s voice over recording and coaching for On the Process – PHLOEM (Study on Hilst),  presented as part of Movement Research at the Judson Church (New York City, 2014).  IZ – Costume Studies for Indra-Koan (project 2001). / JAMES (JAMUTE AUDIO) – Audio Mixing and Editing of "To Pulse"  for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / JEAN PIERRE LOBO * product design * –  Costumes production with the styles of his exclusive collection for A Cantora Careca (The Bald Soprano), by Eugene Ionesco, adapted by Antônio Abujamra, and presented as part of the semifinal stage of Prêmio Criação Teatral Volkswagen at Teatro Fernanda Montenegro (Curitiba, 2003). / JÔ MARÇAL (MAMELUCOS ORBITAIS)  – Original Soundtrack "To Pulse", for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / JO MISTINGUETT – Sound Design for Unbeer Sonata – Study N. 2, at Guairacá Cultural, as part of 20MIN.MOV (Curitiba, 2017). / JOHANN STOLLMEIER – Cinematography in On the Process – PHLOEM (Study on Hilst),  presented as part of Movement Research at the Judson Church (New York City, 2014). / JONAS JUNIOR – Photo Shoot for The Last Supper (Curitiba, 1999). / JORGE – Set technician for the performance Walk East – Erotic Poems by Norma Kluster /Chapter I, presented as part of the program Page to Stage, at Dixon Place (New York City, 2007). / JOSIANE ANDO – Camera and video image production for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / JUAN PARADA – Sculptor in Polifônica Sincrética (ou Ode a Perséfone) with presentations at Espaço Dois and as part of I Mostra da FAP at Memorial de Curitiba (Curitiba, 2001); UNICENTRO (Campus Irati, 2001), and UNICENTRO (Campus Guarapuava, 2001). / JULIANA FAIGENBAUM - Camera and video image production for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / JÚLIO COVELLO – Photography for Polifônica Sincrética (ou Ode a Perséfone), presented as part of 1st Mostra da FAP, at Memorial de Curitiba (Curitiba, 2001). / JÚLIO CESAR DE MODESTI –  Subtitles and widescreen correction in Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006). / K.J. HOLMES – Voice and image recordings for “Upon Death”, a sound and video installation that will be part of The Quest for Joy (work in process). Recording made in Brooklyn and Woodstock, New York, 2017). / KORCEA FARLEY – Co-Photography Direction for the video performance The Fourth Season,  part of Walk East – Erotic Poems by Norma Kluster (New York, 2007). / LARISSA BRANDÃO –  Co-founder of Umwelt Studio (Brooklyn, NYC); Poster Design for Walk East – Erotic Poems by Norma Kluster, as part of Towards the Gaze and the Meaning — Works by Cristiane Bouger, presented by the CNDB at Atelierul de Productie (Bucharest, 2011), and as part of Mostra de Repertório Couve-Flor at Cleon Jacques Theater (Curitiba, 2011); Exhibition identity design in Immoderate Bodies – Couve-Flor Video Performances as part of chashama Windows Program, at 461 Gallery (New York City, December 2012–January 2013); Poster and exhibition Design for The Nudity is Not Malicious, as part of Bushwick Open Studios (Umwelt Studio, Brooklyn, 2015); Poster Design for the open studio On Transience, as part of Bushwick Open Studios (Umwelt Studio, Brooklyn, 2016); Poster Design for Unbeer Sonata – Study N. 2, at Guairacá Cultural, as part of 20MIN.MOV (Curitiba, 2017); Poster Design for the exhibition The Geopoem Series, as part of Bushwick Open Studios (Umwelt Studio, Brooklyn, 2018); and Poster Design for Cristiane Bouger’s open studio, as part of Bushwick Open Studios (Umwelt Studio, Brooklyn, 2019).  / LEVI GONZALEZ – Photography courtesy of the performance Unbeer Sonata – Study N.1, (Fabrica de Pensule, Cluj-Napoca/Romania, 2011). / LUCIANA KORNALEWSKI – Photography documentation of Displacement Pills – Este Regalo Es Tuyo (Queens, NYC, 2018) / LUCIANO SILVEIRA – Video Technical Editing for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / LUA VOIGT – Photography Direction for the video performance Red a Hundred 40/Vermelho 140  (work commissioned by Fundação Cultural de Curitiba / Projeto Bolsistas Casa Hoffmann – Centro de Estudos do Movimento. Curitiba, 2003); Photography Direction of the video Scene 2, in Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005); Photography Direction for the video dance-study Calcinatio – Experimento #1 (Curitiba, 2006); Editing Assistance for Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006). / MAIKE BUTZKE – Original Costume Design for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / MAGNO BORGO – Editing and Motion Effects in Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006). / MAGRÃO – Props Co-creation (with Alfredo Gomes Filho and Magrão) for Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / MARCELO ÁVILA – Photography courtesy of the performance documentation Sensuality in (and) America (New York, 2004). / MARCO CARUSO – Editing of the video performances Closer and The Fourth Season, both part of Walk East – Erotic Poems by Norma Kluster (New York, 2007). / MARCOS DAVI – DVD Compilation for Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / MARCOS VINI – Original Costumes Concept for the performance Sensuality in (and) America (New York, 2004). / MARGIE (MARGARIDA GANDARA RAUEN) – Professor and Directing Consultor in The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000); Professor and Directing Consultor in Polifônica Sincrética (ou Ode a Perséfone), 2001; Dramaturgy Consultor in Buraco Negro (Pick-up) by Gerardjan Rijnders (work commissioned by Ciclo de Leituras Dramáticas – Fundação Cultural de Curitiba, 2001); Research Consultor in Trailer-Play de Indra-Koan – 1º Laboratório Aberto ao Público (Casa Vermelha, 2001); Translation of the subtitles into English and into Portuguese for the documentary Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006); Translation into English of the article "Community X Self-Destruction – Challenge and Resistance" for the eMagazine Relâche (2008); Revision of the translation into English of the original play Ode to Persephone (2019). / MARIA ÂNGELA BONIFÁCIO – Costumes Sewing for Polifônica Sincrética (ou Ode a Perséfone), in Curitiba (2001). / MARIA CECÍLIA LUGNANI – Camera and video image production for The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000). / MÁRIO DOMINGUES – Translation of the text in Act 1 from Latin into Portuguese, in Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / MAURÍCIO MORAIS – Photography for the performance-installation Red a Hundred 40 / Vermelho 140 (Casa Hoffmann, Curitiba, 2003). / MICHELLI KNAUER – Food Consultancy for the pre-studies of the installation Telluric (2019, work in development). MICHELLE MOURA – Co-curatorship of Ciclo de Ações es Performáticas (Performance Act Series) in Da Casa, in 2003-2004, at Casa Hoffmann, in Curitiba; Photography Documentation of Displacement Pills – Este Regalo Es Tuyo (Curitiba, 2006) and Feedback in Walk East – Erotic Poems by Norma Kluster/ Chapter I (ACT – Ateliê de Criação Teatral, Curitiba, 2007). MICHELLE PUCCI - Actor in Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / MICHELLE SIQUEIRA – Curitiba’s Premiere Production Manager for the documentary Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006), at Cine Luz, in Curitiba./ NAOMI PORTO – Hair Stylist Assistance in Accumulation – Influx 32, as part of the Movement Research at the Judson Church Series (New York, 2013). / NIKHIL MELNECHUK – Videography in The Wavelength Project (Washington, D.C., 2009). / PATRICIA RAMOS – Actor in Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / PAULO BISCAIA FILHO – Consulting Professor in Polifônica Sincrética (ou Ode a Perséfone), at Espaço Dois, (Curitiba, 2001) and for Trailer-Play de Indra-Koan – 1º Laboratório Aberto ao Público (Casa Vermelha, 2001); Translation into Portuguese of the subtitles of the video performance Sensuality in (and) America (2004). / PIER ANGELI – Tai Chi Chuan teacher in The Last Supper, presented at Espaço Cênico (Curitiba,1999) and at TUCA – Pontifical Catholic University of Paraná Theater (Curitiba, 2000); Tai Chi Chuan teacher in Trailer-Play de Indra-Koan – 1º Laboratório Aberto ao Público (Casa Vermelha, 2001). / RAQUEL RIZZO – Actor in Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005).  / REGINA BASTOS – Actor in Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / RENATA ZANETTI PRESTES – Musical Production and piano player during the poetry reading of the manuscript of Cosmografias at Casa do Sol/ Instituto Hilda Hilst – IHH (Campinas, 2014). / RENATA PETERLINI – Light Design for the video performance Red a Hundred 40/ Vermelho 140 (Casa Hoffmann, 2003). / RONALD PINHEIRO – Performer in Red A Hundred 40/ Vermelho 140 (Casa Hoffmann, 2003). /  ROSÂNGELA BONIFÁCIO – Costumes Sewing for Polifônica Sincrética (ou Ode a Perséfone), in Curitiba (2001). /  ROGER REGNER – Camera in the video performance-documentation Sensuality in (and) America (New York, 2004); Photography Direction Assistantship for the documentary Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006); Art Design for the film poster of the documentary Community, Activism and the Downtown Scene (2006); Photography Direction in the video performances Closer and The Fourth Season, both part of Walk East – Erotic Poems by Norma Kluster (New York, 2007); Photo Shoot of the performances Closer and The Fourth Season, both pat of Walk East – Erotic Poems by Norma Kluster (2007). /  SANDRIANE KALAMAR MARTINS (SHANTI INSTITUTO) – Therapeutic Services during the creative process and production of The Last Supper (Curitiba, 1999–2000); Therapeutic Services during the creative process and production of Polifônica Sincrética (ou Ode a Perséfone) (Curitiba, 2001); and Photography Documentation for Trailer-Play de Indra-Koan – 1º Laboratório Aberto ao Público (Casa Vermelha, 2001). / STÉPHANY MATTANÓ – Performer in Red A Hundred 40/ Vermelho 140 (Casa Hoffmann, 2003 and 13th Panorama RioArte de Dança, Teatro Carlos Gomes, Rio de Janeiro, 2004. Work commissioned by Fundação Cultural de Curitiba / Projeto Bolsistas Casa Hoffmann – Centro de Estudos do Movimento. Curitiba, 2003); Video Documentation of  Displacement Pills – Este Regalo es Tuyo  (Curitiba, 2006); Video and Photography Documentation of Walk East – Erotic Poems by Norma Kluster/ Chapter I (ACT – Ateliê de Criação Teatral, Curitiba, 2007).  / STEVE FONTAINE – Sound Design in the performance Hunger Follies – Scratch #1, as part of the NewFilmmakers Series – Latino at Anthology Film Archives (New York City, 2010); Sound Design in Walk East – Erotic Poems by Norma Kluster, as part of Mostra de Repertório Couve-Flor at Cleon Jacques Theater (Curitiba, 2011); Sound Design of the radio interview Behind the Bio, for 20MIN.MOV / Tete-a-Tete Couve-Flor (Curitiba, 2011); Sound Design in Accumulation – Influx 32, as part of the Movement Research at the Judson Church Series (New York, 2013). /  SUELI ROCHA – Assistant Director for the video performances Closer and The Fourth Season, both part of Walk East – Erotic Poems by Norma Kluster (New York, 2007); Assistant Director in Walk East – Erotic Poems by Norma Kluster, presented as part of the program Page to Stage, at Dixon Place (New York City, 2007). / TATIANE TORTELLI – Actor in A Cantora Careca (The Bald Soprano), by Eugene Ionesco, adapted by Antônio Abujamra, and presented as part of the semifinal stage of Prêmio Criação Teatral Volkswagen at Teatro Fernanda Montenegro (Curitiba, 2003); Actor for Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005). / TIAGO MARTINS BORGES – Video Documentation of Top Girls, by Caryl Churchill, presented at Teatro José Maria Santos (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra, Curitiba, 2005); Photography Direction Consultancy for the documentary Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006); Documentation of Salar – The Quest for Joy (Chile and Bolívia, 2019). / TRILHAS URBANAS – Audio Mastering of the documentary Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006). / VIRGÍNIA SANTOS – Video Documentation for Polifônica Sincrética (ou Ode a Perséfone), with presentations at Espaço Dois and as part of I Mostra da FAP at Memorial de Curitiba (Curitiba, 2001); and at UNICENTRO (Campus Irati, 2001). / VICTOR SABBAG – Light Design for Unbeer Sonata – Study N. 2, at Guairacá Cultural, as part of 20MIN.MOV (Curitiba, 2017). / VINICIUS INOCENTE – Bass player in Walk East – Erotic Poems by Norma Kluster, as part of Mostra de Repertório Couve-Flor at Cleon Jacques Theater (Curitiba, 2011). / WANDULA (EDITH DE CAMARGO and MARCELO TORRONE) – License for using the music Paisagem Progressiva #1 in the scene of A Cantora Careca (The Bald Soprano), by Eugene Ionesco, adapted by Antônio Abujamra, and presented as part of the semifinal stage of Prêmio Criação Teatral Volkswagen at Teatro Fernanda Montenegro (Curitiba, 2003); Soundtrack for the documentary Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006).