ADRIANA AKAI – Camera and video image production for The Last Supper (Curitiba, 1999). / ALFREDO GOMES FILHO – Studies for Indra-Koan’s script (2001); Prop design (co-created by Inecê Gomes and Magrão) for Top Girls, by Caryl Churchill (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005). / ALTAIR DA CRUZ – Set Technician for Top Girls, by Caryl Churchill (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005). / AMABILIS DE JESUS – Costume Design and Prop Design for Top Girls, by Caryl Churchill (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005). / ANDERSON MASCHIO DE FREITAS – Web Design for the documentary Community, Activism and the Downtown Scene (2006); Video Credits for Top Girls, by Caryl Churchill (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005)./ ANDRÉ BALIU – Sculptor in Polifônica Sincrética (ou Ode a Perséfone), in the presentations in Curitiba (Espaço Dois and I Mostra da FAP/Memorial de Curitiba, 2001), Irati (UNICENTRO, Campus Irati, 2001) and Guarapuava (UNICENTRO, Campus Guarapuava, 2001). / ANDRÉ KRUGER – Actor in The Last Supper (1999); Actor for Polifônica Sincrética (ou Ode a Perséfone), at UNICENTRO, (Campus Guarapuava, 2001); Actor (extra) in Buraco Negro (Pick-up) by Gerardjan Rijnders (work commissioned by Ciclo de Leituras Dramáticas – Fundação Cultural de Curitiba, 2001; Actor in Trailer-Play de Indra-Koan - 1º Laboratório Aberto ao Público (Casa Vermelha, 2001). / ANDREA OBRECHT – Actor in Top Girls, by Caryl Churchill with Translation into Portuguese by Léo Gluck (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005)./ ANDRESSA FERRARI – Set Design for The Last Supper (1999); Polifônica Sincrética (ou Ode a Perséfone); Studies for the Set Design of Indra-Koan (2001); Monitor and Set Technician for Red A Hundred 40/ Vermelho 140 (Casa Hoffmann, 2003 and 13th Panorama RioArte de Dança, Teatro Carlos Gomes, Rio de Janeiro, 2004. Work commissioned by Fundação Cultural de Curitiba / Projeto Bolsistas Casa Hoffmann – Centro de Estudos do Movimento. Curitiba, 2003); Set Consultancy for Claustrophobia (Performance-study), during Ocupação Performance-Rave (Casa Hoffmann, 2004). / AYUMI NAKABA – Camera and video image production for The Last Supper (Curitiba, 1999). / BETO LEÃO – Editing and soundtrack mixing for Polifônica Sincrética (ou Ode a Perséfone), in Curitiba (2001). / BIA DANTAS – Photography of the performance-installation Red A Hundred 40/ Vermelho 140 (Casa Hoffmann, 2003); Performer in the performance-installation Red A Hundred 40/ Vermelho 140 (work commissioned by Fundação Cultural de Curitiba / Projeto Bolsistas Casa Hoffmann – Centro de Estudos do Movimento. Curitiba, 2003); Photography of the performance-study Claustrophobia during Ocupação Performance-Rave (Casa Hoffmann, 2004); Editing for Sensuality in (and) America, 2004 and for Top Girls – Scene 2 (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005)./ BIBIANA (TERRA) ESTEVEZ – Actor in The Last Supper (1999). / BRANDI COPHER – Review of my production writing in English (New York, 2007 to the present). CAMILA HEIMOSKI – Camera and video image production for The Last Supper (Curitiba, 1999). / CARLÃO BUSATO – Photography for The Last Supper (TUCA, PUC-PR, 2000); Photography for Polifônica Sincrética (ou Ode a Perséfone), at Espaço Dois, in Curitiba (2001). / CAROLINA FAUQUEMONT – Actor in The Last Supper (1999); Actor in A Cantora Careca (The Bald Soprano), by Eugene Ionesco, Adapted by Antônio Abujamra, during Prêmio Criação Teatral Volkswagen (Teatro Fernanda Montenegro, Curitiba, 2003); Costumes Research for the video dance-study Calcinatio – Experimento #1 (2006). / CAUÊ KRIEGER – Production Intern for Top Girls, by Caryl Churchill (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005). / CESAR AUGUSTO – Sculptor and Set Technician in Polifônica Sincrética (ou Ode a Perséfone), with presentations in Curitiba (Espaço Dois and I Mostra da FAP/Memorial de Curitiba, 2001) and Irati (UNICENTRO, Campus Irati, 2001). / CLEIDE PIASECKI – Actor in Top Girls, by Caryl Churchill with Translation into Portuguese by Léo Gluck (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005)./ COUVE-FLOR – MINICOMUNIDADE ARTISTICA MUNDIAL – Co-curatorship of Ciclo de Acoes Performáticas (Performance Act Series) at Casa Hoffmann (Curitiba, 2003-2005); Consultancy, Feedback and Documentation for Displacement Pills – Este Regalo Es Tuyo (Curitiba, 2006); Consultancy, Feedback and Technical Operation (Video, Photography, Light and Sound) for Walk East – Erotic Poems by Norma Kluster/ Chapter I (ACT – Ateliê de Criação Teatral, Curitiba, 2007). / CRISTINA MORGENSTERN – Costume Design for Perséfone character, in Polifônica Sincrética (ou Ode a Perséfone), in 2001. / DANI LIMA - Video Editing Technician for The Last Supper (Curitiba, 1999). / DANIEL TEODORO – Actor in The Last Supper (Curitiba, 1999). / DANIELA BOTELHO – Camera and video image production for The Last Supper (Curitiba, 1999). / DÉBORA SEGANTINE – Actor in the monologue Polifônica Sincrética (ou Ode a Perséfone), with presentations in Curitiba (Espaço Dois and I Mostra da FAP/Memorial de Curitiba, 2001), Irati (UNICENTRO, Campus Irati, 2001) and Guarapuava (UNICENTRO, Campus Guarapuava, 2001); Actor in Trailer-Play de Indra-Koan - 1º Laboratório Aberto ao Público (Casa Vermelha, 2001); Promotion Photography for A Cantora Careca (The Bald Soprano), in 2003; Performer in Red A Hundred 40/ Vermelho 140 (Casa Hoffmann, 2003 and 13th Panorama RioArte de Dança, Teatro Carlos Gomes, Rio de Janeiro, 2004. Work commissioned by Fundação Cultural de Curitiba / Projeto Bolsistas Casa Hoffmann – Centro de Estudos do Movimento. Curitiba, 2003). / DENISE USHIKUBO – Camera and video image production for The Last Supper (Curitiba, 1999). / DICO FERREIRA – Actor in Buraco Negro (Pick-up) by Gerardjan Rijnders (work commissioned by Ciclo de Leituras Dramáticas – Fundação Cultural de Curitiba, 2001). / ELENIZE DEZGENISKI – Photography for Top Girls, by Caryl Churchill (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005). / ELIÉGE JACHINI – Photography for the video dance-sudy Calcinatio – Experimento #1 (Curitiba, 2006). / ELÓI PHILIPPSEN - Actor in A Cantora Careca (The Bald Soprano), by Eugene Ionesco, Adapted by Antônio Abujamra, during Prêmio Criação Teatral Volkswagen (Teatro Fernanda Montenegro, Curitiba, 2003). / EVERSON MARCELO NEWMANN – Video Editing for The Last Supper (Curitiba, 1999). / EVERTON SEINO – Camera and video image production for The Last Supper (Curitiba, 1999). / FÁBIA REGINA – Light Design for Top Girls, by Caryl Churchill and for the homonymous video (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005). / FABIANA BUBNIAK - Camera and video image production for The Last Supper (Curitiba, 1999). / FABIANNE BALVEDI – Video Direction (PUC-PR) for The Last Supper (Curitiba, 1999); Studies for Indra-Koan (2001). / FABIO ZANARDO – Actor in Trailer-Play de Indra-Koan - 1º Laboratório Aberto ao Público (Casa Vermelha, 2001). / FERNANDA MACHADO – Physical Trainer for The Last Supper (Curitiba, 1999). / FLAVIA BLEY (MAMELUCOS ORBITAIS) – Groove Box for "To Pulse", original soundtrack for The Last Supper (Curitiba, 1999). / FLAVIO SENRA – Set Consultancy for the performance Walk East – Erotic Poems by Norma Kluster /Chapter I, (Dixon Place, New York, 2007). / GERCI ROCHA – Photography of the performance Walk East – Erotic Poems by Norma Kluster /Chapter I, (Dixon Place, New York, 2007). / GISELE LOZADA - Camera and video image production for The Last Supper (Curitiba, 1999). / GUSTAVO BITENCOURT – Co-curatorship of Ciclo em Trânsito (Performance Act Series In Transit, Casa Hoffmann, 2005); Press Contact for the premiere of the documentary Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006), in Curitiba; Press Contact for Walk East – Erotic Poems by Norma Kluster (Curitiba, 2007); Original Soundtrack for the video performance Closer, part of Walk East – Erotic Poems by Norma Kluster (2007). / GUTA RUIZ – Actor and Production Manager in The Last Supper (1999); Actor in Buraco Negro (Pick-up) by Gerardjan Rijnders (work commissioned by Ciclo de Leituras Dramáticas – Fundação Cultural de Curitiba, 2001; Actor in Trailer-Play de Indra-Koan - 1º Laboratório Aberto ao Público (Casa Vermelha, 2001); Actor in A Cantora Careca (The Bald Soprano), by Eugene Ionesco, Adapted by Antônio Abujamra, during Prêmio Criação Teatral Volkswagen (Teatro Fernanda Montenegro, Curitiba, 2003). / HANY MORGENSTERN – Choreography Direction for The Last Supper (1999) and Physical Trainer for Polifônica Sincrética (ou Ode a Perséfone), in 2001. / HUGO MORGENSTERN – Set Technician for The Last Supper (Curitiba, 1999). / INECÊ GOMES – Props Co-creation (with Alfredo Gomes Filho and Magrão) for Top Girls, by Caryl Churchill (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005). / IURI ALENCAR – Technical Editing of the video Red a Hundred 40 / Vermelho 140 (Curitiba, 2003). / IZ – Costume Studies for Indra-Koan (project 2001) and Costumes for Walk East – Erotic Poems by Norma Kluster – Chapter II (in study process, 2008-2009) / JAMES (JAMUTE AUDIO) – Audio Mixing and Editing of "To Pulse" and "Become True" for The Last Supper (Curitiba, 1999). / JEAN PIERRE LOBO * product design * - Costumes production with the styles of his exclusive collection for A Cantora Careca (The Bald Soprano), by Eugene Ionesco, Adapted by Antônio Abujamra, during Prêmio Criação Teatral Volkswagen (Teatro Fernanda Montenegro, Curitiba, 2003)./ JO MARÇAL (MAMELUCOS ORBITAIS) - Original Soundtrack "To Pulse", for The Last Supper (Curitiba, 1999) / JONAS JUNIOR – Photo Shoot for The Last Supper (Curitiba, 1999). / JORGE - Set technician for the performance Walk East – Erotic Poems by Norma Kluster /Chapter I, (Dixon Place, New York, 2007)./ JOSIANE ANDO - Camera and video image production for The Last Supper (Curitiba, 1999). / JUAN PARADA – Sculptor in Polifônica Sincrética (ou Ode a Perséfone) in Curitiba (Espaço Dois and I Mostra da FAP/Memorial de Curitiba, 2001), Irati (UNICENTRO, Campus Irati, 2001) and Guarapuava (UNICENTRO, Campus Guarapuava, 2001). / JULIANA FAIGENBAUM - Camera and video image production for The Last Supper (Curitiba, 1999). / JÚLIO COVELLO – Photography for Polifônica Sincrética (ou Ode a Perséfone), at I Mostra da FAP/Memorial de Curitiba, in 2001. / JÚLIO CESAR DE MODESTI - Subtitles and widescreen correction in Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006). / KORCEA FARLEY – Co-Photography Direction for the video performance The Fourth Season, part of Walk East – Erotic Poems by Norma Kluster (New York, 2007)./ LUCIANO SILVEIRA – Video Technical Editing for The Last Supper (Curitiba, 1999). / LUAN VOIGT – Photography Direction for the video performance Red A hundred 40/Vermelho 140 (work commissioned by Fundação Cultural de Curitiba / Projeto Bolsistas Casa Hoffmann – Centro de Estudos do Movimento. Curitiba, 2003); Photography Direction of the video Scene 2, in Top Girls, by Caryl Churchill, Translation into Portuguese by Léo Gluck (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005); Photography Direction for the video dance-study Calcinatio – Experimento #1 (Curitiba, 2006); Editing Assistance for Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006). / MAIKE BUTZKE – Original Costume Design for The Last Supper (Curitiba, 1999). / MAGNO BORGO – Editing and Motion Effects in Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006). / MAGRÃO - Props Co-creation (with Alfredo Gomes Filho and Magrão) for Top Girls, by Caryl Churchill (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005). / MARCELO ÁVILA – Photography of the performance documentation Sensuality in (and) America (New York, 2004). / MARCO CARUSO – Editing of the video performances Closer and The Fourth Season, both part of Walk East – Erotic Poems by Norma Kluster (New York, 2007). / MARCOS DAVI – DVD Compilation for Top Girls, by Caryl Churchill (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005). / MARCOS VINI – Original Costumes Concept for the performance Sensuality in (and) America (New York, 2004). / MARGIE (MARGARIDA GANDARA RAUEN) – Tutor Professor and Consultancy in The Last Supper (1999); Polifônica Sincrética (ou Ode a Perséfone), 2001; Dramaturgy Consulting in Buraco Negro (Pick-up) by Gerardjan Rijnders (work commissioned by Ciclo de Leituras Dramáticas – Fundação Cultural de Curitiba, 2001); Research Consulting in Trailer-Play de Indra-Koan - 1º Laboratório Aberto ao Público (Casa Vermelha, 2001); Translation of the subtitles into English and into Portuguese for the documentary Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006). / MARIA ÂNGELA BONIFÁCIO - Costumes Sewing for Polifônica Sincrética (ou Ode a Perséfone), in Curitiba (2001). / MARIA CECÍLIA LUGNANI - Camera and video image production for The Last Supper (Curitiba, 1999). / MÁRIO DOMINGUES – Translation of the text in Act 1 from Latin into Portuguese, in Top Girls, by Caryl Churchill (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005). / MAURÍCIO MORAIS – Photography for the performance-installation Red a Hundred 40 / Vermelho 140 (Casa Hoffmann, Curitiba, 2003). / MICHELLE MOURA – Co-curatorship of Ciclo de Ações es Performáticas (Performance Act Series) in Da Casa, in 2003-2004, at Casa Hoffmann, in Curitiba; Photography Documentation of Displacement Pills – Este Regalo Es Tuyo (Curitiba, 2006) and Feedback in Walk East – Erotic Poems by Norma Kluster/ Chapter I (ACT – Ateliê de Criação Teatral, Curitiba, 2007). MICHELLE PUCCI - Actor in Top Girls, by Caryl Churchill with Translation into Portuguese by Léo Gluck (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005)./ MICHELLE SIQUEIRA – Curitiba’s Premiere Production Manager for the documentary Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006), at Cine Luz, in Curitiba./ NETO MACHADO - Co-curatorship of Ciclo em Trânsito (Performance Act Series In Transit, Casa Hoffmann, 2005). / PATRICIA RAMOS - Actor in Top Girls, by Caryl Churchill with Translation into Portuguese by Léo Gluck (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005). / PAULO BISCAIA FILHO – Tutor Professor in Polifônica Sincrética (ou Ode a Perséfone), at Espaco Dois, (Curitiba, 2001) and for Trailer-Play de Indra-Koan - 1º Laboratório Aberto ao Público (Casa Vermelha, 2001); Translation into Portuguese of the subtitles of the video performance Sensuality in (and) America (2004). / PIER ANGELI - Instructor of Tai Chi Chuan for The Last Supper (1999) and Trailer-Play de Indra-Koan - 1º Laboratório Aberto ao Público (Casa Vermelha, 2001). / RAQUEL RIZZO - Actor in Top Girls, by Caryl Churchill with Translation into Portuguese by Léo Gluck (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005). / REGINA BASTOS – Actor in Top Girls, by Caryl Churchill with Translation into Portuguese by Léo Gluck (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005)./ RENATA PETERLINI – Light Design for the video performance Red a Hundred 40/ Vermelho 140 (Casa Hoffmann, 2003). / RONALD PINHEIRO - Performer in Red A Hundred 40/ Vermelho 140 (Casa Hoffmann, 2003). / ROSÂNGELA BONIFÁCIO – Costumes Sewing for Polifônica Sincrética (ou Ode a Perséfone), in Curitiba (2001). / ROGER REGNER – Camera in the video performance-documentation Sensuality in (and) America (New York, 2004); Photography Direction Assistantship for the documentary Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006); Art Design for the film poster of the documentary Community, Activism and the Downtown Scene (2006); Photography Direction in the video performances Closer and The Fourth Season, both part of Walk East – Erotic Poems by Norma Kluster (New York, 2007); Photo Shoot of the performances Closer and The Fourth Season, both pat of Walk East – Erotic Poems by Norma Kluster (2007). / RUI BORGES – Physical Trainer for Trailer Play de Indra-Koan - 1º Laboratório Aberto ao Público (Casa Vermelha, 2001). / SANDRIANE MARTINS (SHANTI INSTITUTO) – Alternative Therapeutic Services since The Last Supper (1999); Photography Documentation for Trailer-Play de Indra-Koan - 1º Laboratório Aberto ao Público (Casa Vermelha, 2001). / STÉPHANY MATTANÓ - Performer in Red A Hundred 40/ Vermelho 140 (Casa Hoffmann, 2003 and 13th Panorama RioArte de Dança, Teatro Carlos Gomes, Rio de Janeiro, 2004. Work commissioned by Fundação Cultural de Curitiba / Projeto Bolsistas Casa Hoffmann – Centro de Estudos do Movimento. Curitiba, 2003); Video Documentation of Displacement Pills – Este Regalo es Tuyo (Curitiba, 2006); Video and Photography Documentation of Walk East – Erotic Poems by Norma Kluster/ Chapter I (ACT – Ateliê de Criação Teatral, Curitiba, 2007). / SUELI ROCHA – Assistant of Direction for the video performances Closer and The Fourth Season, both part of Walk East – Erotic Poems by Norma Kluster (New York, 2007); Assistant of Direction in Walk East – Erotic Poems by Norma Kluster (Dixon Place, New York, 2007). / TATIANE TORTELLI – Actor in A Cantora Careca (The Bald Soprano), by Eugene Ionesco, Adapted by Antônio Abujamra, during Prêmio Criação Teatral Volkswagen (Teatro Fernanda Montenegro, Curitiba, 2003); Actor for Top Girls, by Caryl Churchill with Translation into Portuguese by Léo Gluck (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005). / TIAGO MARTINS BORGES – Video Documentation of Top Girls, by Caryl Churchill (work commissioned by Projeto Novas Leituras – 1º Ciclo de Dramaturgia Contemporânea – Centro Cultural Teatro Guaíra/ Teatro José Maria Santos, 2005); Photography Direction Consultancy for the documentary Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006). / TRILHAS URBANAS – Audio Mastering of the documentary Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006). / VIRGÍNIA SANTOS – Video Documentation for Polifônica Sincrética (ou Ode a Perséfone) in Curitiba and Irati (2001). / WANDULA (EDITH DE CAMARGO and MARCELO TORRONE) – License for using the music Paisagem Progressiva #1 in the scene of A Cantora Careca (The Bald Soprano), by Eugene Ionesco, Adapted by Antônio Abujamra, during Prêmio Criação Teatral Volkswagen (Teatro Fernanda Montenegro, Curitiba, 2003); Soundtrack for the documentary Community, Activism and the Downtown Scene – an independent documentary about the experimental scene in New York (110min/ USA/Brazil, 2006).

 

 

Important Note: The list above was written to be as accurate as possible. If you have worked in any of my productions and your name is not listed above, please, accept my apologies and send an e-mail to bouger@cristianebouger.com. The input will be made as soon as possible.